Robert Rauschenberg’s Cardboards
Before the cardboard inspired Robert Rauschenberg’s creative senses to use it as a leading medium for his artistic explorations, the material itself had its own creative past.
Hopper’s Concept of Self-Representation
An artist writes their biographies with the creative imagery and forms of their own creativities. Through the intellectual content and intimate lexicality of depicted scenes the artist expresses spiritual interiority.
Van Dongen: A Fauve in the City.
The reputation of Paris as a leading center of important economic, socio-political and cultural changes was already well established in European social circles at the beginning of the twentieth century. The artists from around the world were crossing each other on the streets of Paris, pursuing their dreams for a success and recognition of their talent.
Mirror: A Psychological Door to the Otherness of Self
Mirror as a charming and mysterious object begun to be used by humans approximately from the beginning of six thousands years BC. The first traces of the object used as mirror were made from the obsidian,[1] which were found in Anatolia.[2]
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